rio music

This resource is an interesting look at how European culture, particularly European music, related to the social and cultural experiences of the residents of ninteenth-century Rio de Janeiro. The focus is on how Cariocas (residents of Rio de Janeiro) responded to and often imitated different musical styles imported from Europe.

After introducing the local musical setting and showing how musical life in imperial Rio de Janeiro reflected Parisian models, the author discusses the importation of operatic repertory, the use of German classical music as the basis of an elite social class, the role of European music in Brazilian theater, and finally, the emergence of a “national” music.

Overall, this study reveals European music as a powerful force in the internal processes of political, cultural, social, and ethnic negotiations during the 19th century government of Emperor Pedro II. Musicologists, Latin American historians, and anyone with an interest in urban studies will find much of interest in this book.
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Best review for Music in Imperial Rio de Janeiro: European Culture in a Tropical Milieu

An inspiring mission to rescue young people from drugs and violence with music

At a time when interest in Brazilian culture has reached an all-time high, and the stories of one person’s ability to improve the lives of others has captured so many hearts, this unique book takes readers to the frontlines of a battle raging over control of the nation’s poorest areas. Culture Is Our Weapon tells the story of Grupo Cultural AfroReggae, a Rio-based organization employing music and an appreciation for black culture to inspire residents of the favelas, or shantytowns, to resist the drugs that are ruining their neighborhoods. This is an inspiring look at an artistic explosion and the best and worst of Brazilian society.


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Best review for Culture Is Our Weapon: Making Music and Changing Lives in Rio de Janeiro

This long-awaited book vividly documents the folk music of El Río Grande del Norte, an area extending from the Mexican border on the south to Southern Colorado on the north and from the Great Plains on the east to the Continental Divide on the West. Loeffler has collected examples of the musical forms used over the centuries in this often isolated and harsh but beautiful region. A blend of religious and secular music from sixteenth-century Spain, Mexican-influenced folk tunes, and melodies indigenous to the life of the region, the music covered here includes romances, trovos, cuandos and decimas, inditas, corridos, canciónes, ceremonial and religious music, and dance music.

Each song appears both in Spanish and English. For many, transcriptions of the musical notations are provided as well as graphic illustrations of dance technique. A companion set of compact discs is also available. Photographs and biographies of active folk musicians help complete the record of this rich and enduring musical tradition.

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Best review for La música de los viejitos: Hispano Folk Music of the Río Grande del Norte